By Wittmann Heiner
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Extra info for Aesthetics in Sartre and Camus. The Challenge of Freedom (Dialoghi Dialogues: Literatur Und Kultur Italiens Und Frankreichs)
One meets with difficulties as soon as the information is of a diverse nature - we find here the same reasoning that Sartre used to counter dialectics - and cannot be made to complement existing information. Sartre tries to get round this problem with the prerequisite that every piece of information, once it has been put in the appropriate place, will reveal how it harmonises with all the others. It follows that the irreducibility of information only appears to be a problem, and Sartre remains convinced that the overall picture will become evident.
Cf. on the following: op. , p. 54 f. Cf. op. , p. 55 f. Ditto, The Family Idiot. Vol. V, p. 56. 7 He justifies this rejection by explaining that the whole, the universal, is always present in any one epoch, thereby making it clear that an epoch, while only comprising a universal moment in history, is infinitely complex, even if it reveals only a few conditions of human existence. In the preface to The Family Idiot, Sartre explains the same idea with the notion of the 'universal singular', ("universel singulier")8.
Ditto, Being and Nothingness, p. " 22 Cf. E. Hennequin, La Critique Scientifique, [Paris 1890]. Edited by D. Hoeges. Heidelberg: Carl Winter Universitatsverlag, 1982, p. " (Translated by C. , p. 89. 2 33 Sartre's criticism of those who do not commit themselves is also aimed indirectly at the critics, for their consensus or rejection of a work is one way of continuing that work. They make their work easier for themselves if they only read books that stand lined up on a shelf like urns24 and do not put them at risk when assessing them, since others have already passed judgement.