By Edmund Burke
An eloquent and infrequently even erotic e-book, the Philosophical Enquiry was once lengthy brushed off as a section of mere juvenilia. even though, Burke's research of the connection among emotion, good looks, and artwork shape is now well-known as not just a massive and influential paintings of aesthetic idea, but additionally one of many first significant works in ecu literature at the elegant, a subject matter that has involved thinkers from Kant and Coleridge to the philosophers and critics of this day.
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Additional resources for A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful
This consisted of a 24 carat 10 gram Degussa gold bar, a pay form belonging to the artist Mr Jochem Hendrick, a book, a postcard, and email correspondence, all presented for inspection in a room. This work had a history. Late in 2008 Byrne contacted Hendrick by email, expressed her admiration for his work, offered her services as an assistant in London should he need one, and gave him some information about herself. There followed further email correspondence and a trip to London by Hendrick to give an invited lecture at Goldsmiths.
In America, pragmatists like Dewey and Mead made the act central to their philosophical-psychological theories of self and society. More recently in the US, literary critics like Burke and Altieri have productively deployed ideas of the act, as has the psychologist Bruner (cf. Bruner 1990; Burke 1969; Altieri 1981). Mead’s prescient call, now more than 80 years old, for acts not (brain) tracts to be the basic units for a unified social and individual psychology of self and others, is still valid and necessary.
Psychology textbooks are no exception. What has fallen into, and out of, the indices of psychology textbooks tells us a huge amount about the state of the field at key points over the last century and a half. The fate of words like mind, consciousness, feeling, and emotion, to take just four, make that point forcefully. ’ Histories of psychology tend not to thematize the act (an exception is McNeill, 1968). Yet the importance of concepts (they are quite diverse) of an ‘act’ can be seen across the board in different European, Russian, and Anglo-American philosophical traditions in the twentieth century.